Exciting Talks in North London

Narrative Eye, producers of the New Book Black Tudors in Britain http://narrative-eye.org.uk/newbook.html  is hosting a lecture series presented by Black History Walks.

The talks take place on Saturdays between 7 to 9pm on the following dates at  an intimate, private venue not far from Walthamstow tube station on the Victoria line. Seats must be booked in advance viathinktank_27@yahoo.com

Sat 15 March 7-9pm

What were Black People doing in World War 1? An explanation of the crucial role Africa, Asia and the Caribbean played in WW1. Interviews with Jamaican WW1 veterans, West India Regiment in Palestine, black and asian fighter pilots, the Herero genocide, German colonies in Africa and how that affected geography and WW2

"I wanted to tell you that the lecture given by BHW at the Imperial War Musuem on 26th July was brilliant! When I came home, my parents were really excited about how much I had learnt...my Dad has always enouraged me to get a full picture of British history and until the lecture yesterday I hadn't fully realised how much of a void there is in the British History that is readily available at schools and Universities. I am a student at Lancaster University and I study the First World War but I knew nothing about the involvement of Black British Soldiers! " Faye Grimes

Sat 22 March 7-9pm

The Black Image A very revealing presentation and film which shows how the image of African people has been deliberately altered by Europeans to show negativity. In the 15th century African people were portrayed in European art as noble, sophisticated and intelligent. With the rise of Empire these images were thrown out and replaced with demeaning stereotypes which still inform public opinion via children’s books and Hollywood movies..

Sat 26 April 7-9pm

How to Brainwash the Youth and make them act like Fools ! An in-your-face seminar aimed at young adults to illustrate how they are conditioned via Hollywood movies, music videos, computer games and advertising to act dumb and love it. This presentation uses  popular and mainstream culture combined with a black history perspective. Scary Movie, Predator,Soulja Boy, Lil Wayne,Futurama, Disney,300, GTA,Pussycat dolls, Mariah Carey, Nelly, Etana,Lord of the Rings, Pirates of Caribbean, Manhunter all make an appearance

'I have been meaning to write you all week to thank you for the informative and thought-provoking session you held for ACD students last week.  It was tremendous.What was really satisfying is that you held their attention throughout the 3 hour session even in the not ideal situation of being cramped into the foyer space due to the projector being taken by another organisation.  Brenda King, African Caribbean Diversity Group  

Sat 17 May 7-9pm

Medical Apartheid: 400 years of European experiments on African bodies A review of the scientific experiments and research performed on black people to refine various  drugs and medical treatments for use with white people This presentation will draw on Harriet Washington's book of the same name, various documentation from World Wars 1/2, Aboriginal history,  Vietnam, US Prisons and Porton Down. It covers: *Radioactive People: North Africa and the Pacific *Birth and Crowd Control: The South African Solution, Project Coast *National Security Memorandum 200 *Vic Mackie and Congressional Inquiries *The 'War on Drugs', Haiti and Jamaica *The Mau Mau, Kenya and the Brixton Riots The Black History of Comedy

Sat 24 May 7-9pm

The Black History of Comedy: Comedians often use history as part of their material. In this interactive session we piece together a visual tapestry of the best historical comedy from great known and unknown comics from the 1960's to now  We will also place their comical observations on a historical timeline of international struggle for African equality and show how comedy can be educational. Be prepared to laugh your head off and learn about world history at the same time. (Some swearing and scenes of sexual nature)

Sat 31 May 7 to 9pm

Ten Black History Walks in Two hours ! The director of      www.blackhistorywalks.co.uk will show highlights from the 5 existing and 5 new African history guided tours. This virtual tour will explore 3500 years of black history through Londons' high streets and back alleys.

Afrakan History Walks The Streets of London

Next Walks in the St Pauls/Bank area : 2pm Saturday March 1st 2014

In 100 minutes your guide will take you through hundreds of years of the African presence, and contribution, to London’s way of life. Discover secret alleyways and enormous buildings all connected to Africa and the Caribbean in ways which the owners do not want you to know. Find out about black loyalists and African revolutionaries. Uncover the submerged links between racism, trade, religion, slavery and politics which are still evident in the very streets and buildings of the oldest part of London.

Next Walks in Trafalgar Square: 11.30am Sunday 2nd March 2014

Millions of people walk through WC2 (Trafalgar/Leicester Square area) every day and have no idea of the centuries of African history under their feet. In 2 hours your guide will uncover the black presence and influence in the area. African Princes, Generals, Resistance Fighters, Civil Rights Leaders, Pilots, Nurses and Sailors all make an appearance. We highlight the links between Africa, China, India and the Caribbean and explain how history was whitewashed and racism institutionalised. In 2007 there was a huge emphasis on the 200th anniversary of the British ‘abolition’ of the human trade in 1807, but African freedom fighters in the Caribbean island of Haiti defeated the French, Spanish and British armies and had already declared their independence in 1804.


£7.00 adults £3.00 children. Group bookings possible. Walks last approx 2 hours, mail to info@blackhistorywalks.co.uk with number of places required. You will then receive confirmation and joining instructions.

Afrakans in Amuraka: Black History Month Profile - Margaret Danner

Margaret Danner,  born in1915 in Chicago, was an poet, editor and most importantly an Afrakan cultural activist. She is best known for her poetry whose textured imagery demonstrated her deep appreciation of Afrakan heritage and its cultural expressions.

 Danner’s college education included courses at Loyola University, Northwestern University, YMCA College, and the newly founded Roosevelt College. Perhaps equally significant was her education in the American Afrakan cultural community of Chicago’s South Side, which in the 1930s and 1940s harbored grassroots cultural institutions and informal circles devoted to politics, education, art and literature.

Danner aimed “to inject some strength” into her work and to train her naturally delicate style to carry forceful messages of Afrakan pride and racial equality, what she called “the social conscious” Poems such as “Etta Moten’s Attic” and “Africa, Drifting Through Me Sings” demonstrate Danner's growing passion for Afrakan arts, cultures and peoples in the 1940s and 1950s.

Professing “the power of the Afrakan pull to be stronger than Western Civilization in my psyche,”Danner framed many of her poems around encounters with Afrakan art objects. She wrote in 1968, “I believe (and have tried for many years to do something positive about this conviction) that the [Afrakan] should be awakened to [their] vast beauty.”

Danner joined the staff of Poetry: A Magazine of Verse as an editorial assistant in 1951 and in 1956 became the first American Afrakan to serve as a Poetry assistant editor. “Far From Africa: Four Poems,” which would become one of Danner’s most anthologized works, appeared in Poetry in 1951 and earned her a John Hay Whitney fellowship for a trip to Afraka, which she delayed until 1966. In 1966, Danner took her long-desired trip to Afraka and joined prominent American Afrakan cultural figures at the First World Festival of Negro Arts in Dakar, Senegal. The poem “At Home in Dakar” (also published as “At Home in Africa”) recalls this trip.

Danner moved to Detroit in 1959 to join that city’s vibrant community of Afrakan writers and artists. She quickly became a part of the “Detroit Group,” which included writers such as Dudley Randall, Oliver LaGrone, Woodie King, Jr., James Thompson and Naomi Long Madgett. In 1962, Danner was named a poet-in-residence at Wayne State University. That same year, Danner talked a local Baptist pastor into lending her an empty parish house to found a cultural center for Afrakan writers, artists and musicians. Boone House became the artistic home of the Detroit group from 1962 to 1964. At Boone House, Danner and Randall collaborated on Poem Counterpoem (1966)—the first book out of Randall’s Broadside Press, an important independent Afrakan publisher still in operation today.

In the late 1960s and 1970s, Danner published her third and fourth volumes of poetry, Iron Lace (1968) and The Down of a Thistle: Selected Poems, Prose Poems, and Songs (1976). Her work continued to draw upon Afrakan (as well as Western) art, flora and fauna, relationships with her fellow poets and scenes from urban life. Several of her poems address or discuss her grandson, Sterling Washington, Jr., whom she calls “Muffin,” and who seems to represent an American Afrakan future. Margaret Esse Danner died on January 1, 1984, in Chicago.

Former Black Panther artist Francesco Francavilla celebrates "BLACK HISTORY MONTH."

After the WINTER SUPER OLYMPICS week (which seems to have been quite popular - thanks everyone for playing along), I am gonna dedicate this week to comicbook black superheroes or character. It’s my humblr way to contribute to February’s traditional BLACK HISTORY MONTH.

We start off with an icon of black superheroes: T’CHALLA, aka BLACK PANTHER!
Created by legends Stan Lee and Jack Kirby back in 1966, his first appearance was in Fantastic Four #52. He is the first black superhero in mainstream American comics, debuting several years before other African-American superheroes as Marvel Comics’ the Falcon and Luke Cage.

My very first gig at MARVEL was to illustrate several arcs of BLACK PANTHER as he was taking over DAREDEVIL as protector of Hell’s Kitchen. I couldn’t be happier to start working with Marvel than on this character: writer and friend David Liss wrote a sweet noir/thriller that was a perfect fit to my artistic sensibilities, resulting in some of my personal favorite sequentials.
And BLACK PANTHER/T’CHALLA is, without doubts, one of my favorite comicbook heroes.

Francesco Francavilla

Art from BLACK PANTHER MWF URBAN JUNGLE by Francesco Francavilla

Article and art from http://francavillarts.tumblr.com/

It is something to think about in regards to how ready Tchalla the Black Panther, Wakanda, the very franchise itself (ahh hell, throw in Storm) are all primed for major exposure to a new demographic of Afrakan (so-called Black people) readers of fiction (speculative and science) lovers of comic books and those who appreciate animated adventures.

If Marvel was ever serious about transitioning the Black Panther to "A" level status they would have gave him to Wesley back in the day. If they were really serious they would have let Reginald Hudlin produce and direct his interpretation of the Black Panther for the big screen. If they were serious about promoting BP they would have treated Priest with far more reverence for advancing the Panther well beyond the station of Avengers' fall guy.

I mean if they were anywhere near serious they would have supported David Liss'immensely honest, sincere and succeeding attempts to manage the debacle the Black Panther was in post Doomwar. Here's to you David as to what may have been your fiftieth issue.

Fan drawn cover by A. Muriel

Afrakans in Amuraka: Black History Month Profile - Manuel dos Reis Machado

Manoel dos Reis Machado was a  grand master practitioner who brought to world prominence  the Brazilian Afrakan martial art known as Capoeira. He is the "true" father modern Capoeira Angola.

November 23, 1899 – February 5, 1974

Commonly called Mestre Bimba, Manoel dos Reis Machado, was born the son of Luiz Cândido Machado and Maria Martinha do Bonfim. Manoel was born at the Bairro do Engenho Velho, Salvador. The nickname "Bimba" came up due to a bet between his mother and the midwife during his birth; his mother bet that he was going to be a girl and the midwife bet he would be a boy. After he was delivered, the midwife said... it's a boy, look at his Bimba' (male sexual organ).

Manoel started learning Capoeira when he was 12 years old. Capoeira was considered illegal and those caught practicing it persecuted by the authorities.

By 18, Manoel felt that Capoeira had lost all its efficacy as a true martial art designed as an instrument of resistance to colonial rulership. He saw Capoiera evolving more as something akin to a folkloric activity, it complex movements and postures reduced to a mere nine manuevers. It was then that Manoel started to restore movements from traditional Capoeira, introducing movements created by himself as well adding movements from the Afrakan fighting style called Batuque. Manoel learned Batuque from his father, whom was a champion practitioner. This style later became known as "BimbaAngola"

Manoel was the 1st to create a method of teaching to help facilitate learning because until then, Capoeira was only learned by watching and participating in the roda. In 1928, a new chapter in the history of Capoeira began, as well as a change in the way Afrakan people brought to Brazil as prisoners of war were looked upon by Brazilian society. After a performance at the palace of Bahia's Governor, Juracy Magalhães, Manoel successful in convincing the authorities of the cultural value of Capoeira, thus in the 1930s ending its official ban, in effect since 1890.

Machado founded the first Capoeira school in 1932, the Academia-escola de Cultura Regional, at the Engenho de Brotas in Salvador, Bahia. Capoeira was still heavily discriminated against by the white Brazilian society. In order to change the pejorative reputation of capoeira and its practitioners, Manoel instigated new standards to the art.His students had to wear a clean, white uniforms, show proof of grade proficiency from school, exercise discipline, show good posture as well as many other standards. The result, doctors, lawyers, politicians, upper-middle-class people, and women (until then excluded) started to join his school, providing Machado with legitimacy and support.

In 1936, Machado challenged fighters of any martial art style to test his regional style. He had four matches, fighting against Vítor Benedito Lopes, Henrique Bahia, José Custódio dos Santos ("Zé I") and Américo Ciência. Machado won all matches. On June 9th 1937, he earned the state board of education certificate. and officially registered the 1st Capoeira center. In 1942, Machado opened his second school at the Terreiro de Jesus on Rua das Laranjeiras. The school is still open today.

Afrakans in Amuraka: Black History Month Profile - Philip Emeagwali

The internet owes much of its existence to Philip Emeagwali,  who created the formula that made it possible multiple computers to communicate with one another at once.

Philip Emeagwali is a Nigerian Afrakan engineer and computer scientist/geologist who was one of two winners of the 1989 Gordon Bell Prize, a prize from the IEEE, for his use of a Connection Machine supercomputer to help analyze petroleum fields. He received a bachelor's degree in mathematics from Oregon State University in 1977. During this time, he worked as a civil engineer at the Bureau of Land Reclamation in Wyoming. He later moved to Washington DC, receiving in 1986 a master's degree from George Washington University in ocean and marine engineering, and a second master's in applied mathematics from the University of Maryland. He is married to Dale Brown Emeagwali, a noted American Afrakan microbiologist.

For more info visit http://emeagwali.com/

Afrakans in Amuraka: Black History Month Profile - Mark E. Dean

Mark E. Dean is an American Afrakan inventor and a computer engineer. Dean was part of the team that developed the interior architecture (ISA systems bus) that enables multiple devices, such as modems and printers, to be connected to personal computers. In addition he led a design team for making a one-gigahertz computer processor chip. Dean holds more than 20  patents including three of IBM's original nine PC patents.

Dean holds a bachelor's degree in electrical engineering from the University of Tennessee, a master's degree in electrical engineering from Florida Atlantic University and a Ph.D. in electrical engineering from Stanford University. Dean has also taught computer science at Harvard and was CTO for IBM Africa. Dean is the first American Afrakan to become an IBM Fellow which is the highest level of technical excellence at the company.

New Avengers, New Black Panther, New Black Power??? Why the Black Panther needs a solo book Pt. 3

New Avengers continues to hedge in its depictions of the Black Panther's prowess and abilities. Off panel fights notwithstanding, Tchalla is repeatedly cowed by Namor's pomposity making his death threat seem all the more impotent. This coupled with his being seemingly oblivious to Black Swan's pretentious swagger which masks her all too subtle manipulations of he and the rest of his Illuminati. Add to this his younger sister doing all the counter striking further distancing him from ever regaining the throne.

Tchalla is not even given the courtesy of utilizing his own transportation. If I have to witness the Black Panther being carried in Dr Strange's magic sphere or hitching a ride in the fantasticar I don't know what I'm going to do.

I think both Reed and Stephen would enjoy the comfort and luxury of an N'Yami battle cruiser or Tchalla's personal transport.

The Black Panther forlorn and seen as a betrayer by the Hatute Zeraze, the Dora Milaje and worst of all by Shuri. Who does he turn to? Reed Richards, his new soul brother? The Illuminati? Does Namor become some twisted confidant? Will the nights in the Necropolis become so cold and lonely that in his destitution he seeks the companionship of Black Swan? Observe how easily Tchalla is being primed for isolation and detachment from Wakanda. This is a major misstep.

The ideological and cultural construct of Wakanda is essential to the Black Panther.The locus of which resides squarely in the heritage of an Afrakan people who developed civilizations and resisted colonization, enslavement and cultural infringement. These are the hallmarks that so distinguish the Black Panther. Keep him in and connected to Wakanda. One can't keep the Black Panther out of Wakanda.

Now is the time to utilize Tchalla's Techno-jungle. He secretly traverses Wakanda via it's subterranean tunnel network. It is here that Tchalla conducts experiments in vibranium and shadow physics explaining his new force field and ability to teleport.

Depict him training, testing the limits of his superhuman strength and show him moving at super speed. Let's see Tchalla working on his personal arsenal which includes cloaking, morphing light armor , energy daggers, anti-metal claws, morphing vibranium micro-weave panther suit and vibranium field generating boots. Retcon the Tecno-jungle as a secret location that only he, Shuri, the queen mother and two Dora Milaje know how to access.

Thus the opportunity presents itself to reintroduce Okoye and Nakia. Since a love interest is needed, these are the two best candidates. Nakia for all the obvious reasons as she is an outcast Dora Milaje who Tchalla shared mutual love and affection with.

Juxtapose her with Okoye for counter-balance and Tchalla is involved in the ideal love triangle. Tchalla now has his Betty and Veronica, his Gwen Stacy and Maryjane.

In conclusion the Black Panther requires three things...a writer in possession of a competent grasp of Afracentricity and who understands the inherent traits that should consistently define the character. Second, an artist capable of expressing the diverse aesthetics of Afrakan people and finally some serious marketing to the "so black" demographic.

New Avengers, New Black Panther, New Black Power??? Why the Black Panther needs a solo book Pt. 2

The comments previously mentioned are predicated on Tchalla the Black Panther being king of Wakanda.

Being king does not preclude world travels, cosmic adventures, exotic romances or urban intrigue.

The definition of warrior king as outlined by the Wakandans is grounded in the fact that their leader (king, queen or both) explore all possibilities that may represent a potential threat.

What is most pertinent is the royal demeanor and imposing stature that warrants kingship.

Being king of Wakanda is a power Tchalla the Black Panther should never loose. King of the Dead (whatever that entails) should be a complement not a substitute. As a replacement it's like Stark using other tech and not armors or Superman teleporting instead of flying. Being king is a political tool and a necessary power that is endemic to who the Black Panther is.

The Wakandan society, which is tens of millennia old, should be a well structured paragon of high civility, especially by what is now the twenty first century.

They should be well beyond all that usurpation nonsense; avoiding all the pitfalls that plague contemporary Afrakan societies. Wakanda should be immune to western imposed contrivances at cultural and militaristic domination and invulnerable to the Afrakan states that have succumbed to such a fate.

To Be Concluded...

New Avengers, New Black Panther, New Black Power??? Why the Black Panther needs a solo book Pt. 1

There are 13 reasons to date why the Black Panther requires his solo ongoing series and they are all to be found in the pages of New Avengers. Hickman, like Liss before him, has attempted to return weight and stature to Tchalla. Just as Liss' Black Panther was in need of extrication from an odious premise, Hickman"s Black Panther requires procurement from an ill-fitting team format.

To stay in a team book without a solo series will continue to stifle the necessary expansion of the Black Panther and his world. There is simply not enough panel space to properly display the scope of the character in a group book without supplementation of an individual ongoing. The team format works well for new or under-developed characters but not for those well established in their own mythos.

This begs the question; Does the Black Panther need to be part of the Illuminati? Not out of the New Avengers book but off team Illuminati. I say he does. IMO the Black Panther works best as an independent sovereign with his own agenda and with Wakanda being an insular society under his protection. This credentializes Tchalla's mystique, attitude, motivation and objectives.

Does this preclude the Black Panther from interacting with the "new" Avengers? Absolutely not but it makes lucid his reasons for being with them; thus removing the passive, inactive, forlorn Panther and inserting the proactive, preemptive, assertive Black Panther.

The moral directive of the incursions and its dilemma imposed on Tchalla is external and debilitating. Sure as a plot device saving the multi-verse is useful but so is one about saving Gotham. Tchalla's reasons for not joining the Illuminati in the first place should still stand. The Black Panther should be motivated by the internal, underlying imperative of what is in the best interest of Wakanda.

The incursions are a threat to Wakanda and like any other affront must be dealt with accordingly. Thus the Black Panther should be seen manipulating the members of the Illuminati to achieve this agenda. To this end the Black Panther's machinations saves Wakanda and by extension the Multi-verse. The Black Panther is Wakandan centered. This is the essence and true worth of the Black Panther. Anything else is a waste of his potential.

To Be Continued...

Afrakan Men and Women... Staying Together: Some Stats

While so called Black men marry white women at twice the rate of so called Black women only 8.5% of married so called Black men had White spouses in 2010 up from 6.6% in 2005. 10.8 percent of so called Black men men married outside their race in 2010 also up from 8.4% in 2005.

It is Asian women who have the highest rates of intermarriage which is twice that of so called Black men. So called Black women were the least likely to marry outside their race at only 4.6% in 2010 up from 3.6%, and only 3.9/% married to White men up from 2.8 in 2005.

Percentage Who Married Someone of a Different Race/Ethnicity, 1980 and 2010*

White Men and Women Who "Married Out" in 2008 by Race/Ethnicity of Spouse

Note: "Other" includes American Indians, people identifying with more than one race, and "some other race."

* Data represent the 12 months prior to the survey.
Source: Paul Taylor et al., Marrying Out: One-in-Seven Marriages Is Interracial or Interethnic (Washington, DC: Pew Research Center, 2010).